Since I have just this morning signed a contract with Ashgate, for their Dialogues in South Asian Traditions series, I thought I would take a moment to tell you all about how my book is taking shape. Initially, we were planning to write a co-authored monograph for this project, but this became too unwieldy, and so we have settled on a monograph each. Between them, the two books will cover the major themes of this project, though of course there is still much to do in this area of research!
My book is provisionally entitled Gods, Heroes and Kings: Shared Characters across Hindu, Jain and Buddhist Narrative. As implied by the title, the focus will be on how a character (or character role or lineage of characters) that is shared between traditions reveals both a common narrative heritage and important differences in worldview and ideology that are developed in interaction with other worldviews and ideologies of the day.
The book is structured according to three types of character – gods, heroes, and kings – that are of particular importance to early South Asian narrative traditions, and uses these to explore key religious and social ideals, as well as points of contact, dialogue and contention between different worldviews. The role of deities, the qualities of a true hero, and the responsibilities of a king, are all points of difference between the various religious traditions, and yet – as wel have seen throughout this project – these traditions often used the same stories and characters as ways of exemplifying their own perspectives and challenging those of their religious competitors.
The book begins with a general Introduction (Chapter 1), which sets out the historical context for the study, outlines the sources used, and provides an overview of the book’s aims and structure. Two chapters on key Indian deities – Indra (Chapter 2) and Brahmā (Chapter 3) – then follow, starting to unpack the ways in which shared characters are played with in the different religious traditions, here with a focus on the changing role of deities and the different spiritual hierarchies that are developed. Chapter 4, on Viṣṇu, provides a transition from a discussion of gods to a discussion of heroes, since Viṣṇu comes to prominence through the Epics and their portrayals of Rāma and Kṛṣṇa, two characters who also find a home in Jain and Buddhist narratives. Keeping on the theme of heroes, Chapter 5 takes the role of the mother as an access point for a discussion of the tension between family duties and other duties and goals, by exploring the mother-son relationships of the Epic heroes, the Buddha and two jinas. Chapter 6 continues on the theme of relationships and detachment, with a discussion of the famous lineage of renouncing kings of Videha, who are praised in Buddhist and Jain tales and criticised in Brahminical Epic. The Conclusion (Chapter 7) ties together these explorations of shared characters, character roles and lineages, and asks what we have discovered about the concerns of early South Asian religious communities and the ways in which they interacted with one another during their formative periods.
I am making good progress on this book, with chapters 1, 2, 3 and 6 pretty much complete, and chapter 4 well on its way, so if all goes to plan I will have a full draft by Christmas. The book is due to be with the press in May next year. So, I’d better get back to it!